Knock and Knowall

Music review by Eric Sandberg Having rewritten "Sweet Jane" three times over his last two albums notwithstanding, Peter Perrett is an effortlessly charming and engaging songwriter. In 1978 Perrett scored a hit with "Another Girl, Another Planet" as a member of The Only Ones. The band folded in 1980 after releasing three albums.  Perrett briefly resurfaced fifteen years later as The One — but drugs, and the ensuing poor behavior often caused by their use, cut this comeback short. In 2017, buoyed by his son, guitarist/arranger/producer Jamie, Peter Perrett surprised everyone who cares with the release of How the West Was Won , a  strong collection of all new songs. Now, just two years later, the rejuvenated Perrett has graced us with another album of first rate new songs. Humanworld finds Perrett in full command of his [previously thought lost] melodicism and poetic lyricism. Jamie Perrett provides all of his dad's songs with the musical gran

Album review by Eric Sandberg The Ocean Blue are on a roll. With the release of their seventh full-length album Kings and Queens / Knaves and Thieves on June 21, the band has cut the gap between albums to a paltry six years. Their previous record, 2013's Ultramarine was widely hailed as their finest to date, but that standing may be in jeopardy. The new album continues to explore the unique musical niche the band created for themselves with their debut self-titled Sire/Reprise album in 1989. Indeed, the semi-title track "Kings and Queens" kicks things off with all the band's hallmarks: a shimmering guitar arpeggio buoyed by a Wurlitzer counter melody and a lyrical reference to the ocean delivered in front man David Schelzel's soothing, laconic voice, which I might describe as Nick Heyward after the Ambien has kicked in if I had less self-control as a writer. At first blush, this album seems no different — another in a series — familiar and reassur